Now that I have renewed my car passport, I am already looking forward to my next trip over the border to Laos. But for me, looking forward often involves some looking back too. So I am thinking of my last few trips to Laos.
Several times I have headed for the small town of Champassak. There was a time when this was the local capital. Capital of a small kingdom, in fact, with very close ties to Phana. The Lao people of Phana came from here, although originally they had lived in Vientiane. When the French took over Laos they created a new southern capital at Pakse and Muang Champassak slowly took on its present character as a sleepy, riverside town that is not much more than a village.
Tranquility is guarranteed here as this scene shows. The shot was taken from my favourite guest house in Champassak.
The Mekong is wide and mostly quite shallow here, especially so as this was a couple of months into the dry season. But I have known the Mekong since 1974 and even at its highest it is definitely a lot lower now than it used to be. The Chinese have built several dams on tributary rivers and this has had a dramatic effect. Fishermen are worried that fish stocks will fall but that doesn't seem to have happened so far.

I have travelled to Muang Champassak by boat from Pakse as well as driving down the new road. The road is on the far bank so you have to take a ferry. The ferries are small, flat wooden rafts floating on oil drums but they get you there. The crossing takes about 10 minutes on the vehicle ferrry, but foot and cycle passengers can go across in little long-tail boats.
This picture shows the ferry loading up to leave Champassak.
The little town of Muang Champassak has a long history but there is little to show for it. There are a couple of French colonial-style villas that were once used by the Princes of Champassak, but that is about all.
On the other hand, about 7 kms south of the town is a wonderful site. Wat Phu Champassak.
Wat Phu is a UNESCO World Heritage Site and this is what UNESCO has to say about it:
The Champasak cultural landscape, including the Vat Phou Temple complex, is a remarkably well-preserved planned landscape more than 1,000 years old. It was shaped to express the Hindu vision of the relationship between nature and humanity, using an axis from mountain top to river bank to lay out a geometric pattern of temples, shrines and waterworks extending over some 10 km. Two planned cities on the banks of the Mekong River are also part of the site, as well as Phou Kao mountain. The whole represents a development ranging from the 5th to 15th centuries, mainly associated with the Khmer Empire.
There is an entry fee payable by foreigners (don't tell the people on ThaiVisa!) but entry is free for Lao. I think it is 50 Baht. Pensri always tries to pay (chiefly because about three women sit there all day and most days there about six visitors at most) but she has never succeeded. "But I am Thai," she says. "No you are not. You speak Lao, so you are Lao," they insist.
Near the entrance to the complex there are also women selling flowers and other offerings. This image is about half way up the mountain so making an offering here is a good excuse for having a rest before continuing the climb.
Like all these Khmer temples, this was originally a Hindu temple, then it became a Buddhist temple.
These images are from early in the Buddhist period and you can see how unlike the various Thai styles of image they are.
The images do not always wear robes as they are doing here and there aren't always so many offerings. But I took this picture just before the Wat Phu festival, a big three-day event that includes a huge temple fair and sporting and cultural events. Last year, and probably every year, there were dancers and musicians from Vietnam and Cambodia as well as from different parts of Laos.
These relief images carved from the rock at the top of the mountain show the Hindu trinity of gods.
UNESCO again:
The Temple Complex of Vat Phou bears exceptional testimony to the cultures of south-east Asia, and in particular to the Khmer Empire which dominated the region in the 10th–14th centuries. The Vat Phou complex is an outstanding example of the integration of symbolic landscape of great spiritual significance to its natural surroundings. Contrived to express the Hindu version of the relationship between nature and humanity, Vat Phou exhibits a remarkable complex of monuments and other structures over an extensive area between river and mountain, some of outstanding architecture, many containing great works of art, and all expressing intense religious conviction and commitment.
It is a cliche, I know, but time really does seem to flow by at the speed of the river. In the dry season anyway, when the river seems almost apologetic about passing you by.
Along the river there are little communities like these. The river joins them and a laterite road runs south off the metalled road from the Thai border to Pakse. If life here has changed, it is only very recently.
The Lao-Nippon Bridge with a span of 1380 metres across the Mekong at Pakse was completed in 2000 and Highway 13 south to the Cambodian border was finally upgraded in 2007. Before these projects were completed, most travel was on the river, by ferry across to Pakse, and by riveboat 'buses' up and down the river.

For fishermen the river remains (at least for the time-being) their main source of food. Fish for protein and vegetables grown on the fertile river-banks to eat with it.
And much older than Wat Phu, and even more impressive, is always the Mekong, Mae Nam Khong.
And nowhere is the river more impressive than the Khong Phapeng falls. I first saw them in the rainy season. I thought they would be an amazing sight with so much water in the river.
There was almost nothing to see because there was just so much water that there was very little drop in levels. In the dry season, as here, it is a different matter.

The falls are not far south of the four thousand islands, the si phan don of the famously plaintive and nostalgic lao song. Nearby you can still see a few Irawaddy dolphins, though only at a distance out of respect for them in what is after all their habitat.
Far more tourists make it down to the falls than ever get to Wat Phu. Perhaps that is just as well. The fast new Highway 13 seems to be there just for the huge Thai tour buses and their passengers as are the food stalls and the souvenir stalls. The Thai tourists pour out, take a look at the falls, eat, dismiss the souvenirs as not as good as the ones in Thailand and then pile back into their buses. That was Champassak. That was Laos. That is the tourist industry.
On one visit to Muang Champassak, Pensri was delighted to find this portrait of the monk Chao Phone Samed. He had led her ancestors from Vientiane In about 1688 AD, stopped to repair the that near Nakon Phanom and became de facto ruler of Champassak for many years. Pensri heard a lot about him from her great-grandmother. She said that he was loved and respected so much that he was known as Yakru Kee Hom. Readers in Thailand can work out most of that but might not be familiar with the Lao title Yakru. The Thai equivalent is Phrakru, a learned monk. They were less delicate in those days. Even less delicate, perhaps I should say.
Roll on my next trip to Laos.
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